12/13/2023 0 Comments Dr dre city of compton lyrics![]() Against the late-eighties backdrop of MTV, moral hysteria, and the culture wars, the rise of N.W.A. Their music was heavy and dense, like armor, and in their rhymes they recounted grim realities with a cold ambivalence. It wasn’t just the violence and the profanity that made them so shocking. “Boyz” encapsulates something unique about N.W.A.’s eventual multiplatinum success. But his vulgar style contributed to the impression that the song offered an unfiltered glimpse into the group’s daily reality: “bored as hell,” cackling at all the neighborhood drama, living to survive rather than pining for the distant aspirations that had entranced their parents. ![]() He was a novice, scrawny-sounding rapper who could barely keep pace with Dre’s scything beat. Dre and Cube, who had written the lyrics, convinced Eazy, a local drug dealer who bankrolled the recording session, to give it a try. As the film recounts in comic detail, the song was originally written for a group from New York, but, unable to comprehend its West Coast perspective or convincingly pronounce the local slang, they refused to record it. The film “Straight Outta Compton” tells the standard narrative of N.W.A., from local sensation to “the world’s most dangerous group.” That ascent began, modestly enough, with “Boyz-n-the-Hood,” a self-released 1987 single credited to Eazy-E. After N.W.A.-Dre, Eazy-E, Ice Cube, MC Ren, and DJ Yella-released their brilliant, sweltering début album, “Straight Outta Compton,” in the summer of 1988, the city became synonymous with its “angry voices.” To his generation, which had grown up just as Compton’s middle-class dreams dissolved, the gospel of upward mobility seemed like a cruel joke. His refusal feels dangerous, as though he is rejecting an entire vision of progress. Dre, by contrast, is half cynic, half dreamer he refuses to wait his turn for a dead-end job. She scans as a working-class striver, one of Dollarhide’s people. for his flippant attitude toward honest, nine-to-five work. (Niggaz Wit Attitudes), in the late nineteen-eighties, the mother of Dr. In the opening minutes of “Straight Outta Compton,” a new movie that dramatizes the rise of the rap group N.W.A. Amid that clamor, he said, Compton was a model for what hardworking people with strong values could accomplish together. paper described as “angry voices that one hears in a city.” “These are the voices that face Compton and other cities,” Dollarhide explained. As part of his (ultimately unsuccessful) presentation, he played a simulated recording of what an L.A. Dollarhide had worked his way up from the post office to the city council, and he wanted to show that, seventeen years after the first award, Compton was still a jewel of a suburb. ![]() An article in Jet, earlier that year, praised Compton’s “constructive” vision of “exerting black power through politics” rather than through violent protest. The city was now a beacon of middle-class possibility for its growing black population.ĭollarhide had come to Philadelphia to campaign for another All-America City prize. The racist housing covenants that insured Compton would have an overwhelmingly white population had been overturned the election of Dollarhide, the son of a former slave, was a symbol of Compton’s changing demographics. The league had awarded Compton the coveted distinction of All-America City in 1952. For decades, the Los Angeles suburb had been admired for its affordable housing, its stable growth, and its prime location, between downtown and nearby Long Beach. ![]() ![]() In the winter of 1969, Douglas Fairbanks Dollarhide, the recently elected mayor of Compton, California, travelled to Philadelphia to attend the annual meeting of the National Municipal League. Dre balances tales of triumph with back-in-the-day stories. ![]()
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